I always think of "Premio Paganini" as of one of the most important and meaningful events in my life. The preparation of the contest and the study of Paganini's work were already an enourmous burden. I was strongly trying to imitate his style and his tecnique as much as possible, to present his music on the stage with a new, great impact. Many famous and great violinists, such as David Oistrach, Isaak Schuk, Gidon Kremer and, of course, my wife Mia Breitburg did support me with their advice. This hard and keen preparation - always sticking to Paganini's original work, stands for the key to my success. Going back to those 8 days I can remember the orchestra, with its light and sensitive accompaniment, the meeting with the Jury, chaired by Luigi Cortese, after the semifinal, the awards... and then, down in the streets of Genoa, a group of students, free to protest and express their ideas and, of course, Paganini's violin... and the public, warm and spontaneous, who, right in the middle of Capriccio n. 1, played with Paganini's violin, started applauding enthusiastically after a particularly impressive chord. After being awarded with the First Prize, concert halls did open their doors to me, I did feel more confident of my talent and - most important - it taught that a correct behaviour and hard work can lead you to the goals you aim at. For sure, that was just the beginning of my career. But is was a very good beginning.